Art Slice - A Palatable Serving of Art History

We are back, we are wide-eyed, almost Bratz Dolls eyed (!) and South of the Border 🇲🇽 

This time diving into the work of Rosa Rolanda, who metamorphosis-ized 🦋 from a famous Broadway dancer into a Surrealist late in life. 

Full video here: https://www.youtube.com/watch?v=w-CVdxpnwBc

Along the way she crossed paths with figures like Man Ray. It's likely she even learned the photogram process from him, which she then made uniquely her own. Her photograms feel like intimate journal doodles crossed with the raw energy of punk zines from the early '90s.

She also met her soon-to-be partner and collaborator, the Mexican artist Miguel Covarrubias—also known as 'El Chamaco.' 

Together, they became Mexico's first artistic power couple, predating even Frida Kahlo and Diego Rivera. Their groundbreaking work, the book "Island of Bali," was the first comprehensive account of Balinese culture for the Western world, detailing its art, music, dance, and rituals.

But it's her paintings that have this incredible, haunting feeling of anemoia—a nostalgia for a time you've never known. This gives them a distinct '90s or early 2000s vibe. On the surface, they seem simple and illustrative, but on a second, third, or even fourth look, you start to peel back all these incredible visual and narrative layers."

Topics include:

Bratz Dolls and Crazy Town

Frida Kahlo and Arte Popular at the Museum of Fine Arts in Boston

the Museo de Arte Moderno

Crystal Bridges Museum of American Art

Smart and Final yellow

Marion Morgan’s Morgan Dancers

Man Ray’s photograms or Rayograms 

Rat Fink for some reason

Mexico City’s first artist power couple 

Tina Modotti, Nickolas Muray, Frida Kahlo, Diego Rivera

Gwen Stefani's Harajuku Girls 

Miguel Covarribus and Rosa Rolanda’s Island of Bali book from 1937 

Las Mañanitas scene from “El Rapto” starring Maria Felix

The 60th Venice Biennale “Foreigners Everywhere”

LACMA’s 2012 exhibition “In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States”

And what Visual Art can learn from performative art like dance

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The featured song was “Cascades” from Kris Keogh’s new album Processed Harp Works, Volume 3 on the Japanese imprint - Muzan Editions.

https://muzaneditions.bandcamp.com/album/processed-harp-works-volume-3  

The album is amazing - It’s like drifting off in a meditative trance, being brought back to awareness, before drifting again. If you like artists like The Caretaker - you really need to spend time with these albums. 

Other tracks featured:

Elvenheim - “At Night” https://freemusicarchive.org/music/Shamil_Elvenheim/momentum

Holizna - “First Snow” https://holiznacc0.bandcamp.com/album/winter-lo-fi-2 

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CREDITS:

Writing and Research by Stephanie Duenas and Russell Shoemaker

Editing, Production and Sound Design by Russell Shoemaker

Logo Design by Russell Shoemaker

Theme by Russell Shoemaker and Betta Music Pro

Ending Theme by Russell Shoemaker and Underwood Beats

Social Media by Stephanie Duenas and Russell Shoemaker

Newsletter by Stephanie Duenas

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LISTENERS we’re back with maybe a little glimmer of hope?

“Impossible” you say! Eye Rolls you do!

But after our conversation with Jennifer Dasal of the ArtCurious podcast, we had to ask ourselves, could a historical sanctuary for artists offer a vision for today's creators? 

You can WATCH this episode here: https://youtu.be/H42eI7V1eek

In her new book, The Club: Where American Women Artists Found Refuge in Belle Époque Paris," Dasal uncovers the story of The American Girls Club of Paris. This remarkable institution provided hundreds of expatriate American women artists with housing, tea gardens, libraries, and—most importantly—dedicated studio and exhibition space.

Far from home and full of ambition, artists like Florence Lundberg, Anne Goldthwaite, Alice Morgan Wright, and Meta Vaux Warrick Fuller found refuge and community in this unique "u-topia" (or as we like to call it, a "YOU-topia").

Building Your Modern Creative Community

With resources for artists often scarce, the story of The Club is more vital than ever. It reminds us of the importance of nurturing our creative practices and finding ways to support each other.

Whether it's a physical space or a dedicated online community, we must be generous with our time and energy to foster collective creativity. This episode explores how to carve out these personal utopias, drawing parallels to diverse examples like Mexican chinampas (floating gardens), Kristin Ghodsee’s "Everyday Utopia," and… the…. 00s UK rap group The Streets.

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Merch ➫ 

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CREDITS:

Writing and Research by Stephanie Dueñas and Russell Shoemaker

Editing, Production and Sound Design by Russell Shoemaker

Logo Design by Russell Shoemaker

Theme by Russell Shoemaker and Betta Music Pro

Ending Theme by Russell Shoemaker and Underwood Beats

Social Media by Stephanie Dueñas and Russell Shoemaker

Newsletter by Stephanie Dueñas

MUSIC INCLUDES:

“Soul for Sale” by StevenAndolf

“Lighter than Air” by HoliznaCC0

“Limbo” by HoliznaCC0

“Yesterday” by HoliznaCC0

“Hard bay light” by The Library

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Watch the video version here: https://youtu.be/gK2OcbuE7Oo

When the dazzling German actress Maria Lani arrived in Paris in the late 1920s, her presence set the art world abuzz. She quickly recruited over fifty artists—including Pierre Bonnard, Jean Cocteau, Marc Chagall, André Derain, Henri Matisse, Pablo Picasso (he said no), Man Ray, Georges-Henri Rouault, Fernand Léger, and Suzanne Valadon—to depict her in paintings, photographs, and sculptures for an upcoming film.

There was just one problem: "Maria Lani" was a construct. She wasn’t a famous actress—she wasn’t even "Maria Lani." So what did she plan to do with all these artworks?

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When Maria Lani disappeared along with the pieces, rumors spread that she had stolen the works and sold them to unsuspecting collectors in the United States. Was this the art heist of the century? Or was something else going on?

We sit down with Author and Illustrator - Jonathan Lackman and Zachary J. Pinson - to uncover the truth—and discuss The Woman with Fifty Faces, a stunning new graphic novel from Fantagraphics that explores the enigmatic life of this maligned figure.

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For more on Maria Lani ➫ 

https://marialani.com/

https://jonlackman.com/

To see more of Zachary's work ➫ 

https://www.instagram.com/zachary_j_pinson/

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✅ ლ(o◡oლ) MAGIC MIND ლ(o◡oლ) helped fuel our noggins during the making of this episode -to give your brain some choice fuel, use ARTSLICE20 for 20-48% off your order HERE:

➩ ➪ ➩ ➪ https://magicmind.com/ARTSLICE20 

VIDEO VERSION: https://youtu.be/0_9up1-1b2U

Mary Cassatt, known for her paintings of women and babies (then and now), made a surprising move to accept a mural commission for the Chicago World’s Fair of 1893.

This gig was a big deal, especially if you were a younger artist- it could be a career-making move. But when Mary, decades into her own art career, first received the invitation . . .

well, here’s what she had to say:

“When the committee offered it to me to do, at first I was horrified, but gradually I began to think it would be great fun to do something I had never done before and as the bare idea of such a thing put (Cassatt's best frenemy) Degas into a rage and he did not spare every criticism he could think of, I got my spirit up and said I would not give up the idea for anything.”

So . . . maybe a little spite inspired this mural? 

Spite and...a surprising reimagining of the story of Eve.  

Unfortunately, this mural has been lost to the sands of time...and we're (maybe, foolishly) diving in with the only surviving grainy black and white photos to guide us.

Special thanks to Klaire Lockheart! https://www.instagram.com/klairelockheart

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✅ MUSIC FROM THIS EPISODE:

Holinzacc0 - "Yesterday"

https://holiznacc0.bandcamp.com/album/lofi-and-chill

Blear Moon - "Fortitude"

https://blearmoon.bandcamp.com/album/love-in-ruins

Holinzacc0 - "First Snow"

https://holiznacc0.bandcamp.com/album/winter-lo-fi-2

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ლ(o◡oლ) MAGIC MIND ლ(o◡oლ) helped fuel our noggins during the making of this episode -to give your brain some choice fuel, use ARTSLICEJUNE for 50% off your order HERE:

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We highly recommend watching this one if possible as Violeta Parra’s works are so breathtaking and impactful:

➩ ➪ ➩ ➪ https://youtu.be/g0vESB_nKvE

This month, we dive into Violeta Parra’s (1917-1967) multifaceted legacy with her biographer, Ericka Verba.

You can find Ericka’s book, “Thanks to Life” on her website: www.erickaverba.com as well as more Violeta Parra resources.

Violeta’s artistic journey has many parallels to Frida Kahlo’s: both artists began painting while bedridden; drew from their personal experience with the folk arts of their country, Frida in Mexico and Violeta in Chile.

They both lived and worked during a time when their respective countries were at a crossroads and made it their mission to capture the folk culture of their countries:

Frida with a paint brush and Violeta through song, poem, painting and arpilleras (embroidery).

And while most of us have only heard of Frida Kahlo, both artists achieved international fame in their lifetime and their legacies continue to this day.

Violeta Parra became the first Latin American artist (period) to have a solo exhibition at the Louvre in Paris in 1964 at the Musée des Arts Décoratifs.

And more recently, her arpilleras were featured in the 2022 Venice Biennale “Milk of Dreams” which also featured some Art Slice favorites like Leonora Carrington, Remedios Varo and Dorothea Tanning, to name a few.

While she was putting her own twist on this traditional folk medium during her lifetime, arpilleras took on a much different meaning under the brutal, US-backed Pinochet dictatorship several years (1973-1990) after her sudden death (suicide) in 1967:

They became a protest symbol and tool of resistance against the regime for Chilean women, as well as a way for them to grieve their disappeared loved ones.

But before arpilleras, Violeta had become internationally known for her music. When she began her artistic career, she started with painting.

Her paintings explore deep emotions and personal experiences. The planes of color and vague interiors really mind us of Richard Diebenkorn and Florine Stettheimer.

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